![]() You could be drawing, hanging out at the Bench, refueling paint, taking photos, politicking with other people.ĭid you both have a moment where you were like, “This is my life, this is what I’m doing”?ĬRASH: You don’t think about it at the time. You find that every minute of the day you’re doing something that’s related to that, the writing. But honestly, graffiti takes over your life and it becomes your whole life at a certain point. I’d go all over the city playing handball. ![]() The more you see someone the more you talk to them.ĭAZE: I played basketball, I played paddleball. It sounds weird saying that, when you sit there watching trains go by. and it forms this group.ĬRASH: We were just watching trains. You find, “Oh that guy, he was here yesterday,” and then tomorrow. CRASH was hanging out there and I was hanging out there and we’re just watching trains go by. There was a whole group of guys that hung out there on a daily basis after school. All these years later they still share a studio.ĭAZE: We met in 1977 at 149th Street and Grand Concourse, which was the Writers Bench at that time. CRASH and DAZE have developed their own distinct styles and directions but remain as close as ever. During that same span, CRASH and DAZE have consistently pushed the envelope with large-scale mural works, never denying their graffiti roots and in many cases celebrating them. The two artists have the distinction of consistently showing their works around the globe for nearly 40 years this includes major museum shows as well as elite private collections. In the late 1970s they rose through the ranks of the subway graffiti movement to become underground stars. John CRASH Matos and Chris DAZE Ellis have been painting and exhibiting since 1980.
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